‘I wanted to give people hope’: how Every Brilliant Thing became theatre’s best antidote to depression | Edinburgh festival 2024
‘Peter Capaldi was punched off his chair’: Fifty years of explosive theatre company Paines Plough | Stage
‘I feel a rising anxiety …’ My odyssey through Edinburgh’s intense, unsettling one-to-one shows | Edinburgh festival 2024
‘I exist outside of gender’: drag colossus Wet Mess on being ‘horny for your confusion’ | Edinburgh festival 2024
‘I can move my body how I want’: standup Stephanie Laing on conquering her fear of public dancing | Edinburgh festival 2024
After Baby Reindeer: how comedians are telling true stories of trauma and toxic relationships | Edinburgh festival 2024
The truth about life as a privileged comedian: ‘I knew if it all went wrong I could call my parents’ | Edinburgh festival 2024
Gay sheep and gaslighting: 10 of the funniest jokes from the Edinburgh fringe 2024 | Edinburgh festival 2024
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