It's rare for a movie to get technology right. And it's even rarer for that movie to be a thriller or horror, where realism takes a backseat to scares and tension. But Red Rooms mostly gets it. Nothin
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Juliette Gariépy’s Kelly-Anne is an uncomfortable mystery. | Image: Nemesis Films Productions
It's rare for a movie to get technology right. And it's even rarer for that movie to be a thriller or horror, where realism takes a backseat to scares and tension. But Red Rooms mostly gets it. Nothing takes me out of a film quicker than a tech MacGuffin that might as well be literal magic. Yes, the phrase "dark web" will always sound a bit silly, but at no point during its 118 minutes does the tech become a distraction.
It's not the tech that makes Red Rooms great, though. It's just something that could have easily tanked an otherwise excellent movie. What carries the film is the expert tension building by director Pascal Plante. The perf …
Read the full story at The Verge.
Source: The Verge
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